{"id":274,"date":"2026-02-17T08:46:12","date_gmt":"2026-02-17T08:46:12","guid":{"rendered":"http:\/\/www.ercanertan.com\/?p=274"},"modified":"2026-02-17T08:54:37","modified_gmt":"2026-02-17T08:54:37","slug":"sanatin-profesyonellesmesi-baglaminda-turkiyede-kurum-tiyatrolarinda-sanat-yonetimi","status":"publish","type":"post","link":"https:\/\/www.ercanertan.com\/index.php\/2026\/02\/17\/sanatin-profesyonellesmesi-baglaminda-turkiyede-kurum-tiyatrolarinda-sanat-yonetimi\/","title":{"rendered":"SANATIN PROFESYONELLE\u015eMES\u0130 BA\u011eLAMINDA T\u00dcRK\u0130YE’DE KURUM T\u0130YATROLARINDA SANAT Y\u00d6NET\u0130M\u0130"},"content":{"rendered":"\n

YED\u0130TEPE \u00dcN\u0130VERS\u0130TES\u0130 SOSYAL B\u0130L\u0130MLER ENST\u0130T\u00dcS\u00dc<\/strong><\/p>\n\n\n\n

SANAT VE K\u00dcLT\u00dcR Y\u00d6NET\u0130M\u0130 ANA B\u0130L\u0130M DALI<\/strong><\/p>\n\n\n\n

SANATIN PROFESYONELLE\u015eMES\u0130 BA\u011eLAMINDA T\u00dcRK\u0130YE’DE KURUM T\u0130YATROLARINDA SANAT Y\u00d6NET\u0130M\u0130; \u0130BB \u015eEH\u0130R T\u0130YATROLARI<\/strong><\/p>\n\n\n\n

ERCAN ERTAN <\/strong>

DANI\u015eMAN:
<\/strong>DR. \u00d6\u011eR. \u00dcYES\u0130 HANDAN BAYINDIR TUNA<\/p>\n\n\n\n

J\u00dcR\u0130 \u00dcYELER\u0130
<\/strong>Prof. Dr. Ay\u015fe Bengi Bu\u011fay
Do\u00e7. Burcu Ayan Ergen
Dr. Handan Bay\u0131nd\u0131r Tuna<\/p>\n\n\n\n

\u00d6ZET<\/strong><\/p>\n\n\n\n

Sanat\u0131n Profesyonelle\u015fmesi Ba\u011flam\u0131nda T\u00fcrkiye’de Kurum Tiyatrolar\u0131nda Sanat Y\u00f6netimi; \u0130BB \u015eehir Tiyatrolar\u0131<\/p>\n\n\n\n

Bu tez, T\u00fcrkiye\u2019de sanat y\u00f6netimi anlay\u0131\u015f\u0131n\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fc, kamusal tiyatro kurumlar\u0131 ba\u011flam\u0131nda ele almakta ve \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi \u015eehir Tiyatrolar\u0131\u2019n\u0131n y\u00f6netimsel yap\u0131-s\u0131n\u0131 sanat y\u00f6netimi perspektifiyle de\u011ferlendirmeyi ama\u00e7lamaktad\u0131r. \u00c7al\u0131\u015fmada, \u015eehir Tiyatrola-r\u0131\u2019n\u0131n y\u00f6netsel yap\u0131lanmas\u0131, karar alma s\u00fcre\u00e7leri, sanat-idare ili\u015fkisi, kadro politikalar\u0131 ve k\u00fclt\u00fcr politikalar\u0131yla etkile\u015fimi analiz edilmi\u015ftir. Sanat y\u00f6neticisinin bu yap\u0131 i\u00e7erisindeki konumu, sanat-sal \u00fcretimi y\u00f6nlendirme kapasitesi ve kurumsal dengeyi sa\u011flama becerisi, odak noktas\u0131 olarak ele al\u0131nm\u0131\u015ft\u0131r. Ara\u015ft\u0131rma, nitel y\u00f6ntemle ger\u00e7ekle\u015ftirilmi\u015f; veri toplama arac\u0131 olarak yar\u0131 yap\u0131land\u0131-r\u0131lm\u0131\u015f derinlemesine g\u00f6r\u00fc\u015fmeler kullan\u0131lm\u0131\u015ft\u0131r. G\u00f6r\u00fc\u015fmeler, kurumun sanatsal ve idari s\u00fcre\u00e7lerin-de etkin g\u00f6revler \u00fcstlenen ki\u015filerle yap\u0131lm\u0131\u015f; elde edilen veriler Braun ve Clarke\u2019\u0131n (2006) tematik analiz y\u00f6ntemiyle de\u011ferlendirilmi\u015ftir. Kodlama ve tema olu\u015fturma s\u00fcre\u00e7leri sonucunda, sanat y\u00f6-netiminin uygulamadaki kar\u015f\u0131l\u0131\u011f\u0131na ve bu kar\u015f\u0131l\u0131\u011f\u0131n yap\u0131sal, y\u00f6netsel ve k\u00fclt\u00fcrel dinamiklerle na-s\u0131l \u015fekillendi\u011fine dair bulgulara ula\u015f\u0131lm\u0131\u015ft\u0131r.
Bu ba\u011flamda \u00e7al\u0131\u015fmada, kamuya ba\u011fl\u0131 bir k\u00fclt\u00fcr kurumu olan \u0130stanbul B\u00fcy\u00fck\u015fehir \u015eehir Tiyatrolar\u0131\u2019nda sanat y\u00f6netiminin nas\u0131l i\u015fledi\u011fi; sanat y\u00f6neticisinin b\u00fcrokratik yap\u0131 i\u00e7erisinde hangi sorumluluklar, s\u0131n\u0131rlar ve gerilimlerle kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131 ortaya konmu\u015ftur. Kurum i\u00e7in-deki sanat\u2013idare ili\u015fkisi, karar alma s\u00fcre\u00e7lerinin merkeziyet\u00e7ili\u011fi ve yarat\u0131c\u0131 kadronun s\u00fcrece kat\u0131-l\u0131m\u0131 gibi konular, tematik d\u00fczeyde de\u011ferlendirilmi\u015ftir. Moda Sahnesi ise \u00e7al\u0131\u015fmada, kamu kurum-lar\u0131na alternatif bir yap\u0131 sunan ba\u011f\u0131ms\u0131z bir tiyatro kurumu olarak ele al\u0131nm\u0131\u015f; \u015eehir Tiyatrola-r\u0131\u2019ndaki mevcut sanat y\u00f6netimi modelinin daha iyi anla\u015f\u0131lmas\u0131na katk\u0131 sa\u011flayan destekleyici bir \u00f6rnek olarak de\u011ferlendirilmi\u015ftir. Moda Sahnesi\u2019nin sanat\u00e7\u0131 temsiline dayal\u0131 yatay y\u00f6netim anlay\u0131-\u015f\u0131, kamusal modelin s\u0131n\u0131rl\u0131l\u0131klar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmakta; sanat y\u00f6neticisinin farkl\u0131 yap\u0131lar alt\u0131nda na-s\u0131l \u015fekillendi\u011fini anlamaya olanak tan\u0131maktad\u0131r.
Bu y\u00f6n\u00fcyle tez, sanat y\u00f6neticisinin k\u00fclt\u00fcrel \u00fcretim s\u00fcrecindeki \u00e7ok katmanl\u0131 rol\u00fcn\u00fc g\u00f6r\u00fc-n\u00fcr k\u0131lmay\u0131 ve T\u00fcrkiye\u2019de sanat y\u00f6netimi literat\u00fcr\u00fcne kavramsal ve uygulamal\u0131 d\u00fczeyde \u00f6zg\u00fcn bir katk\u0131 sunmay\u0131 hedeflemektedir. Anahtar Kelimeler: Sanat Y\u00f6netimi, Tiyatro Y\u00f6netimi, Kurumsal Yap\u0131, K\u00fclt\u00fcr Politikas\u0131, \u015eehir Tiyatrolar\u0131, Moda Sahnesi<\/p>\n\n\n\n

TEZ BA\u011eLANTISI :
<\/strong>
(Y\u00d6K-TEZ) – ENGL\u0130SH
Arts Management in Institutional Theatres in Turkey in the Context of the Professionalization of Art: Istanbul Metropolitan Municipality City Theaters<\/a><\/strong><\/p>\n\n\n\n

T\u00dcRK\u00c7E<\/strong>
Sanat\u0131n Profesyonelle\u015fmesi Ba\u011flam\u0131nda T\u00fcrkiye\u2019de Kurum Tiyatrolar\u0131nda Sanat Y\u00f6netimi; <\/mark><\/strong>
\u0130BB \u015eehir Tiyatrolar\u0131<\/mark><\/strong><\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

YED\u0130TEPE \u00dcN\u0130VERS\u0130TES\u0130 SOSYAL B\u0130L\u0130MLER ENST\u0130T\u00dcS\u00dc SANAT VE K\u00dcLT\u00dcR Y\u00d6NET\u0130M\u0130 ANA B\u0130L\u0130M DALI SANATIN PROFESYONELLE\u015eMES\u0130 BA\u011eLAMINDA T\u00dcRK\u0130YE’DE KURUM T\u0130YATROLARINDA SANAT Y\u00d6NET\u0130M\u0130; \u0130BB \u015eEH\u0130R…<\/p>\n

Daha fazla oku<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-274","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized"},"_links":{"self":[{"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/posts\/274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/comments?post=274"}],"version-history":[{"count":4,"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/posts\/274\/revisions"}],"predecessor-version":[{"id":280,"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/posts\/274\/revisions\/280"}],"wp:attachment":[{"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/media?parent=274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/categories?post=274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ercanertan.com\/index.php\/wp-json\/wp\/v2\/tags?post=274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}